By Kang Liu
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Extra resources for Aesthetics and Marxism: Chinese Aesthetic Marxists and Their Western Contemporaries
The destructive force of desire thus denies its own existence, being seen as a perpetual, inferno-like Buddhist Brahman, the resource from which everything originates and must ultimately return. Such a selfabnegating aesthetic state of desire, or attitude of life, seemed to fit Wang perfectly. His intellectual upbringing was deeply ingrained with the sub20 aesthetics and marxism missive and nihilistic strains of Taoism and Chan (Zen) Buddhism. It is little wonder that Wang was enamored with Schopenhauer’s thought.
Such a selfabnegating aesthetic state of desire, or attitude of life, seemed to fit Wang perfectly. His intellectual upbringing was deeply ingrained with the sub20 aesthetics and marxism missive and nihilistic strains of Taoism and Chan (Zen) Buddhism. It is little wonder that Wang was enamored with Schopenhauer’s thought. ’’ Wang asked rhetorically, and then answered with absolute assurance: It is nothing but yu [desire]. Desire by its nature is insatiable, which originated in the state of lack.
Ethics and morality, in contrast, are susceptible to concrete historical changes, and vary from culture to culture. All the eternal solutions that religion promises can no longer resolve conflicts between different cultural, moral, and ethical systems and values in modern times. Religion can retain its effectivity only in the realm of emotion. But its inability to unite all diverse cultures and values also weakens its emotive and affective efficacy. Aesthetic experience, Cai maintained, works precisely in the realm of emotion.